This series of Bargue-inspired eye studies focuses on breaking down the structure of the eye through strong contour work and careful angle comparison. I experimented with heavier line weight to emphasize the geometric foundation and planar construction of the form, giving the studies a more graphic and high-contrast feel.

While I enjoyed exploring bold inking, I’ve realized that thicker lines feel a bit too heavy for this type of classical eye study. Moving forward, I plan to refine the work with thinner, more controlled inking to better support the subtle structure and realism of the Bargue method.